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Paul McDougall at InformationWeek explains what’s wrong with Microsoft’s $300M Seinfeld reruns. [Tags: marketing cluetrain microsoft seinfeld advertising ]
Ronaldo Lemos says that Sony offers 13 new CDs a year to all of Brazil. But there is tremendous activity online. But sites like TramaVirtual only works for people with computers. His group researched Nigeria, Brazil, Colombia and Argentina. E.g., in the Brazilian province of Parà “tehcnobrega” (cheesy techno) is popular. There every year they produce 400 cds and 100 dvds....
Jonah Brucker-Cohen (link link) says open systems encourage audiences to become active co-ccreators, reconfigure rule sets and create opportunities for now types of engagement. He lists some open tools, both hardware (Aduino, Freeduino, OpenPCD, Sun Small Programmable Object Technology) software, and art (Open Museum of Open Source Art). He shows a video of a literal breadboard by Teppien [sp?]....
James Boyle is chairman of Creative Commons and teaches law at Duke. He’s talking about the nature of openness. [Note: Live blogging. Error prone and error-full.]
I’m sitting on the speakers panel at Ars Electronica, listening to AKMA. “Theological discourse intrudes awkwardly into tech conferences,” he says. Theologists and technologists frequently talk past one another, he says. They are mutually suspicious. Theologians sometimes suffer from “replacement panic,” the fear that online will replace real world interaction. The...
When I was in Norway last week, in a shopping arcade in Kristiansand there was a bakery selling sandwich bagels. The bagels seemed to have categorized as such simply because they were tori made out of bread: ovoids eight inches in diameter and about as high as the edge of a pizza crust. Was this the least bagel-like bagel on the planet?
Here are word clouds showing the frequency of the words used in McCain’s and Obama’s acceptance speeches. [Tags: mccain obama everything_is_miscellaneous ]
I’m listening to Leon Dubosch via a translator. (German is my best not-English, but it’s not good enough.) Leonard thought about projects that could be done in Linz.
Michael Tiemann tells us a little of his story. He once wrote some software and sold it to a company that was unable to market it. He was torn up that his work would never be used because it was owned and locked up by someone else. The music industry also doesn’t work well for musicians. So, he’s begun a personal project to create a new way to solve this problem. [Note: Live blogging....
Damn. I just irretrievably lost my entire post on Tim Pritlove’s presentation. That’s really annoying. So, in the three minutes before the next presentation: Tim is a hacker and founder of the Chaos Computer Club. Hackers are artists he says, and artists are hackers. Hackers don’t try to break in. Rather, they break things, to see how they work.